Tar/Pitch Manufacture, Peru, 1780s

Description

Drawing identified as Saca y beneficio de la Brea del Mineral de Amotape, shows blacks working with/processing tar/pitch. This and hundreds of other drawings were done by unidentified Native Americans during the 1780s and were commissioned by the Spanish Bishop Baltazar Jaime Martinez Companon during his pastoral visit to the region of Trujillo in northern Peru. The drawings, spread over nine volumes, are of Spaniards, Native Americans, plants and animals, as well plans and maps of the region. Only Vol. 2 contains a few pictures of blacks, the index to the volume giving very sparse information on each drawing. (See other images Trujillo on this website.)

Source

Martinez Companon y Bujanda, Trujillo de Peru (Madrid: Ediciones Cultura Hispanica, 1978-1994; facsimile reproduction of manuscripts in the Biblioteca del Palacio Real de Madrid), vol. 2, plate E112

Language

Spanish

Rights

Image is in the public domain. Metadata is available under Creative Commons Attribution-NonCommercial 4.0 International.

Identifier

Trujillo_E112

Spatial Coverage

South America--Peru

Citation

"Tar/Pitch Manufacture, Peru, 1780s", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed January 26, 2021, http://slaveryimages.org/s/slaveryimages/item/850
Drawing identified as Saca y beneficio de la Brea del Mineral de Amotape, shows blacks working with/processing tar/pitch. This and hundreds of other drawings were done by unidentified Native Americans during the 1780s and were commissioned by the Spanish Bishop Baltazar Jaime Martinez Companon during his pastoral visit to the region of Trujillo in northern Peru. The drawings, spread over nine volumes, are of Spaniards, Native Americans, plants and animals, as well plans and maps of the region. Only Vol. 2 contains a few pictures of blacks, the index to the volume giving very sparse information on each drawing. (See other images Trujillo on this website.)
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