Playing the Balafon, Senegal, 1780s

Description

Caption, Negre jouant au balafo (Black playing the balafon); musician playing; circular house or granary in background. Villeneuve lived in the Senegal region for about two years in the mid-to-late 1780s. The engravings in his book, he writes, were made from drawings that were mostly done on the spot during his African residence (vol. 1, pp. v-vi). The same illustration appears in color in the English translation of Villeneuve; see Frederic Shoberl (ed.), Africa; containing a description of the manners and customs, with some historical particulars of the Moors of the Zahara . . . (London, 1821), vol. 4, facing p. 119.

Source

Renè Claude Geoffroy de Villeneuve, L'Afrique, ou histoire, moeurs, usages et coutumes des africains: le Sènègal (Paris, 1814), vol. 4, facing p. 211. (Copy in Special Collections, University of Virginia Library)

Creator

de Villeneuve, Renè Claude Geoffroy

Language

French

Rights

Image is in the public domain. Metadata is available under Creative Commons Attribution-NonCommercial 4.0 International.

Identifier

VILE-211

Spatial Coverage

Africa--Western Savanna

Citation

"Playing the Balafon, Senegal, 1780s", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed October 16, 2021, http://slaveryimages.org/s/slaveryimages/item/1663
Caption, Negre jouant au balafo (Black playing the balafon); musician playing; circular house or granary in background.  Villeneuve lived in the Senegal region for about two years in the mid-to-late 1780s. The engravings in his book, he writes, were made from drawings that were mostly done on the spot during his African residence (vol. 1, pp. v-vi). The same illustration appears in color in the English translation of Villeneuve; see Frederic Shoberl (ed.), Africa; containing a description of the manners and customs, with some historical particulars of the Moors of the Zahara . . . (London, 1821), vol. 4, facing p. 119.
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