Sugar Cane Cultivation, Trinidad, 1836

Description

Caption, Planting the sugar cane. Men and women digging cane holes and planting cane; long-handled hoes, machetes, gourd water containers. The land being cleared, the field is formed into beds, and . . . round ridged; it is then lined off with a chain for the cane holes, which Caption, Planting the sugar cane. Men and women digging cane holes and planting cane; long-handled hoes, machetes, gourd water containers. The land being cleared, the field is formed into beds, and . . . round ridged; it is then lined off with a chain for the cane holes, which are dug with a hoe, and at from four to five feet distance . . . . are dug with a hoe, and at from four to five feet distance . . . . two or three [cane plants] are fixed in each hole in an inclined position (Bridgens). A sculptor, furniture designer and architect, Richard Bridgens was born in England in 1785, but in 1826 he moved to Trinidad where his wife had inherited a sugar plantation, St. Clair. Although he occasionally returned to England, he ultimately lived in Trinidad for seven years and died in Port of Spain in 1846. Bridgens' book contains 27 plates, thirteen of which are shown on this website. The plates were based on drawings made from life and were done between 1825, when Bridgens arrived in Trinidad, and 1836, when his book was published. Although his work is undated, the title page of a copy held by the Beinecke Rare Book Room at Yale University has a front cover with a publication date of 1836, the date usually assigned to this work by major libraries whose copies lack a title page. Bridgens' racist perspectives on enslaved Africans and his defense of slavery are discussed in T. Barringer, G. Forrester, and B. Martinez-Ruiz, Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale University Press, 2007), pp. 460-461. Bridgensí life is discussed extensively along with discussion of his drawings and presentation of many details on slave life in Trinidad in Judy Raymond, The Colour of Shadows: Images of Caribbean Slavery (Coconut Beach, Florida: Caribbean Studies Press, 2016). Raymondís book, which is an essential source for any study of Bridgens, also includes a number of unpublished sketches of Trinidadian slave life. See also Brian Austen, Richard Hicks Bridgens (Oxford Art Online/Grove Art Online).

Source

Richard Bridgens, West India Scenery...from sketches taken during a voyage to, and residence of seven years in ... Trinidad (London, 1836), plate 8.

Creator

Bridgens, Richard

Language

English

Rights

Image is in the public domain. Metadata is available under Creative Commons Attribution-NonCommercial 4.0 International.

Identifier

NW0053

Spatial Coverage

Caribbean--Trinidad

Citation

"Sugar Cane Cultivation, Trinidad, 1836", Slavery Images: A Visual Record of the African Slave Trade and Slave Life in the Early African Diaspora, accessed January 23, 2021, http://slaveryimages.org/s/slaveryimages/item/1114
Caption, Planting the sugar cane. Men and women digging cane holes and planting cane; long-handled hoes, machetes, gourd water containers. The land being cleared, the field is formed into beds, and . . . round ridged; it is then lined off with a chain for the cane holes, which Caption, Planting the sugar cane. Men and women digging cane holes and planting cane; long-handled hoes, machetes, gourd water containers. The land being cleared, the field is formed into beds, and . . . round ridged; it is then lined off with a chain for the cane holes, which are dug with a hoe, and at from four to five feet distance . . . . are dug with a hoe, and at from four to five feet distance . . . . two or three [cane plants] are fixed in each hole in an inclined position (Bridgens). A sculptor, furniture designer and architect, Richard Bridgens was born in England in 1785, but in 1826 he moved to Trinidad where his wife had inherited a sugar plantation, St. Clair. Although he occasionally returned to England, he ultimately lived in Trinidad for seven years and died in Port of Spain in 1846. Bridgens' book contains 27 plates, thirteen of which are shown on this website. The plates were based on drawings made from life and were done between 1825, when Bridgens arrived in Trinidad, and 1836, when his book was published. Although his work is undated, the title page of a copy held by the Beinecke Rare Book Room at Yale University has a front cover with a publication date of 1836, the date usually assigned to this work by major libraries whose copies lack a title page. Bridgens' racist perspectives on enslaved Africans and his defense of slavery are discussed in T. Barringer, G. Forrester, and B. Martinez-Ruiz, Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale University Press, 2007), pp. 460-461. Bridgensí life is discussed extensively along with discussion of his drawings and presentation of many details on slave life in Trinidad in Judy Raymond, The Colour of Shadows: Images of Caribbean Slavery (Coconut Beach, Florida: Caribbean Studies Press, 2016). Raymondís book, which is an essential source for any study of Bridgens, also includes a number of unpublished sketches of Trinidadian slave life. See also Brian Austen, Richard Hicks Bridgens (Oxford Art Online/Grove Art Online).
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